The third dimension introduced a new layer of freedom 2D games didn’t have, because you weren’t traveling just one plane. Everyone who plays Devil May Cry plays it differently. His skill set simply isn’t just for solving problems, treating enemies as obstacles in the terrain or stuff to take down to progress, but as a way for the player to express themselves mechanically. His guns are meant to supplement his melee skills instead of being a style of attack of its own for particular situations. His Ifrit move set is based around charging up blows for big damage.
You have to take into account where he’s facing to use a launcher of a special thrust attack. The mechanical depth of those variations was ultimately minimal, as the point was to make a new challenge for getting through obstacles on a 2D plane.ĭevil May Cry has a similar foundation, but Dante controls completely different from anyone else in the action game world up to that point. It’s all the basics of the genre it plays in, with a variety of variations overtime.
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Think of it like this: In Castlevania, the series eventually created new characters with different styles of play, but they all stayed fairly close to the base Simon Belmont controls – a melee attack, a walk, subweapons you can find around the area, and a ridged jump. Kamiya and his team seemed to pin things down, ironically by looking at bugs in their projects and going “hey, that was pretty cool.” Devil May Cry‘s big innovations, besides applying air combat and juggling to a 3D setting outside a fighting game’s limitations, come down to making you learn and become familiar with your character to succeed, and not just simply engage with basic mechanics. Until Devil May Cry, most 3D action games focused on transplanting old genres into a third dimension without really asking what new possibilities that entailed. 3D action games were already headed in this direction for awhile, but it took years for people to figure out what they could really do with analog sticks during the PS1 and N64 era. The idea behind a character action game is to mix together fighting game inputs and mechanical complexity with a beat-em-up or hack-and-slash structure. The result of all these shenanigans and indulgences was the birth of an entire genre: Character Action. From there, Kamiya changed bio curses to demons, used The Divine Comedy for making new name conventions, and changed the entire combat system after seeing a bug in Onimusha that made it possible to launch an enemy in the air and juggle them. Shinji Mikami, the main guy behind the franchise, realized this didn’t fit well with the series, so he let Kamiya and his team turn it into an original work. He changed the project’s theme to “coolness,” resulting in a very strange game that had elements of Resident Evil body horror (and possibly painted a member of the Spencer family as some sort of superhuman European lord, based on some concept art) and awesome looking shooting and swordplay. You can thank Hideki Kamiya, known tweeter and game designer, for this. The first of those versions, started in 1999, was based around a man named Tony who had abnormal abilities with a major action bent over actual horror. It had probably one of the rockiest development cycles in Capcom’s history, going through four different versions before finally coming out as the masterpiece it is today. To talk about Devil May Cry, we first have to talk about Resident Evil 4.
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